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Sion Sono is following up “Himizu”, which he rewrote to include the March tsunami, with “Land of Hope,” a family drama set after a huge earthquake and Fukushima-type nuclear accident. (THR)
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Director Tsui Hark’s 3D extravaganza “The Flying Swords of Dragon Gate” leads the Sixth Asian Film Awards nominations with seven noms. (THR)
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America’s embrace of Japanese pop culture, particularly manga and anime, hasn’t resulted in an embrace of Asian and Asian-American actors when those storylines go to Hollywood. (CNN)
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The crossover Japanese actor will attend the World Economic Forum in Davos, Switzerland, on Jan. 25 to give a speech on the March earthquake and tsunami disaster in northeastern Japan, his office says. (Japan Times)
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The controversial Japanese movie, set in a dystopian future where high school students are forced to fight each other to the death is set to hit stores. (THR)
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Adam Johnson’s novel recounts the adventures of Jun Do, a North Korean soldier, kidnapper and surveillance officer who becomes complicit in the state’s crimes and then falls in love with an actress. (NY Times)
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This quarter’s Melnitz Movies will also debut a monthly film series in cooperation with UCLA’s Terasaki Center for Japanese Studies titled “New Visions of Japanese Cinema.” The first film to screen: “The Secret World of Arrietty” on Feb. 16. (Daily Bruin)
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Erika Sawajiri is to return to the big screen in Mika Ninagawa’s adaptation of cult manga “Helter Skelter,” four years after she was effectively excommunicated from Japanese showbiz for a fairly mild tantrum. (THR)
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Kazuyoshi Kumakiri’s film peruses the downhill slide of ordinary lives in a northern industrial town in recession. (THR)
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Self-indulgent, dramatically lax and grating representation of three sisters reuniting in their deceased parents' ancestral home. (THR)
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Japanese machine fetish reaches a hilarious height in "Kaiji 2," where the eponymous protagonist stakes millions of yen and several lives in a battle to out-wit a Pachinko (pinball) machine as monstrous as Megatron. (THR)
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Female Robinson Crusoe politico-erotic fantasy is as amusing as it is baffling. (THR)
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Japan's nominee for the best foreign language Academy Award is the 49th and final film from Japanese director Kaneto Shindo. (THR)
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The film’s television roots and production values are evident throughout with poorly designed, cheap looking sets, absolutely no attention to period detail whatsoever and ... feel of a bad mid-eighties television soap opera. (WhatCulture.com)